FEATURE I MORE ARTICLES
ARTICLE BY
CEO‚ CHIEF CREATIVE OFFICER
MYNDSHIFT
What does a home repair professional have in common with Monét‚ Picasso‚ or Da Vinci?
At first glance‚ not much.
One creates paintings that hang in museums. The other repairs homes‚ fixes plumbing‚ and tackles the everyday problems that come with maintaining a house.
But look a little closer‚ and you might find something they share.
Craftsmanship.
When Myndshift developed the brand for Tommy Childress and ProFix‚ that was the connection that caught my attention. Tommy approached his work with the care‚ precision‚ and dedication of someone who took genuine pride in his craft.
It reminded me of the way great artists approached theirs.
And I started thinking about how we could bring that connection to life.
Home repair is not exactly a category known for subtlety in its advertising. Think tools‚ work trucks‚ before-and-after photos‚ and pictures of people fixing things.
There’s nothing inherently wrong with those images. They show people what a business does.
But I saw an opportunity to communicate something beyond the work itself.
What if we presented Tommy’s craftsmanship the way we might present a work of fine art?
Not as a gimmick. Not simply to make the advertising look different. But to give people a new way of seeing the work he did.
The idea was to bring together two worlds that rarely appear in the same conversation: the great masters of art and the everyday work of a home repair professional.
The result was a campaign built around a simple thought:
A Master Craftsman Like the Artisans of Old.
The campaign featured a series of ads that paired the names of renowned artists with depictions of Tommy’s hands at work‚ presented with the look and feel of fine art.
One execution featured hands working with a hammer‚ wood‚ and nails‚ accompanied by the headline:
“What Monet did with brushes and paint‚ Tommy does with his tools.”
Each ad approached the idea from a different angle‚ but they all reinforced the same message. The tools and tasks might be different‚ but the dedication to craftsmanship is what connects them.
The visual treatment was essential. These weren't ordinary pictures of home repair with clever headlines placed above them. They were created to look like works of art in their own right‚ with the kind of presence you might expect to encounter in a museum.
The words made the connection. The visuals brought it to life.
The creative direction wasn’t born from a desire to make ProFix look unlike every other home repair company. It started with recognizing something meaningful about Tommy and finding an unexpected way to express it.
That distinction matters.
It’s easy to look at a category‚ study what everyone else is doing‚ and try to come up with a slightly more interesting version of the same thing.
It's harder to step back and ask what makes a particular business worth noticing in the first place.
Sometimes the answer is hiding in plain sight.
In Tommy’s case‚ it was his approach to the work. The craftsmanship was already there. Our job was to find a way to communicate it that felt as distinctive as the person behind the business.
The great masters gave us a visual and conceptual language for doing that.
And suddenly‚ home repair wasn’t just about fixing things around the house. It was about the care‚ skill‚ and pride that went into doing the work well.
That’s a different conversation.